New York, New York Steak

I just ate 10 steaks in one hour!

Recently, I was asked to evaluate 10 different cuts of steak from two different beef suppliers for an upcoming restaurant opening. All of the beef was Certified Angus or Prime and all the steaks were prepared the same way (salt and pepper over a flame grill) by chef Tommy Chavez. I paired each steak with three of my wines, 2014 Cab Franc, 2014 Superstrada (Sangiovese/Cab Sav) and 2015 RWSC (Bordeaux Blend).

What did I learn?

First, that I consumed about 3 pounds of beef! More importantly, not all steaks are created equally and no two steaks paired equally well with the same wine. All the steaks were delicious, as it’s difficult to go wrong with prime steaks expertly cooked, but there were differences in texture, density, ‘meaty’ flavor, chew, tenderness, and fat content.

The most dramatic difference in flavor, texture and wine pairing was a prime bone-in New York strip (Club steak) versus the prime boneless NY strip.

My 2014 Cabernet Franc and 2014 Superstrada paired nicely with the boneless NY strip. Complimentary flavors, the steak was lean and well textured, my wines integrated well with this classic restaurant cut.

Change gears to a longer cooked bone-in NY strip a.k.a. Club steak and suddenly the integration of the wine with the steak changed. The bone itself was flat and nearly 2 inches wide and covered the length of the strip, which effected cooking time. Whatever the bone and cooking time did to change the flavor profile of the steak was dramatic enough to favor a more tannic and heavy-weight wine. The Cab Franc didn’t have enough heft or tannin to hold up to the Club steak. Superstrada was good, but showed better with other steaks.

Enter the 2015 RWSC.

The 2015 RWSC is my 50% Cabernet Sauvignon, 25% Merlot and 25% Cabernet Franc from Dry Creek and Alexander Valley, with a 50% new Minnesota 36 month medium toast water bent oak and 50% neutral oak profile. Yes, I’m being very specific about my oak. Simply calling it “American oak” is an inadequate generalization.

While the 15 RWSC paired well with nearly every steak in the line-up (except perhaps the filet mignon where the wine overwhelmed the lean cut), it shined with the Club steak. This is where some combination of alchemy, meat sweats, and badly needing a plate of fries might be affecting my palate, but it was an enlightening moment in the tasting. How could one wine and one steak pair so well together? Why is this pairing so outstanding? This isn’t just me bragging about my wine. I’m sure other wines would have paired wonderfully, but in that moment, with those selections, the RWSC shined bright.

Next time I’m asked to evaluate steaks, I’m bringing more wine.

Maestro Meme Monday

Alliteration and Memes are fun to use, so the Maestro Meme Monday was born.

You may have noticed some self-depricating humor recently on the Mastro Scheidt Instagram account, depicting me and my father in some photos over the last few seasons. What often makes a meme funny is that the meme is true. I can tell you for certain, the phrases and expressions in these memes are true and have been thought about or said aloud.

We hope you enjoy them throughout 2018, every Monday, for Maestro Meme Monday.

Where can I make natural wine?

You want to make a natural wine? Good. But where are you allowed to make it?

I make a few natural/low/no intervention wines each season. One of my more popular wines is Sangiovese. It will typically (because nothing is typical in a native ferment) start native fermentation within 24 hours of being destemmed. After fermentation and press out, the wine is placed in clean (steam cleaned), neutral oak for a period of between 9-20 months, where it will be racked once, regularly topped and minimally sulfured during that time. That’s it.

Sangiovese was the first native fermentation I ever allowed to complete. I was scared to have a native fermentation go poorly or just plain bad. As a boutique winery under 2000 cases, I can ill-afford mistakes for such a substantial part of my winemaking program. Throwing away 5 tons of fruit is simply not an option for me.

Are you new around here?

Suppose you’re a new winemaker in Sonoma County who would like to make a natural rose’, white and red wine. You have your vision and your manifesto for making a great natural wine. You want to use ancient fermenting vessels like amphora, egg shaped fermenters, and 500 liter wood barrels. You want spontaneous native fermentations and in-barrel malolactic fermentations.

The boutique winemaker has three choices:

1.       Make wine at your own facility (lucky you that you have all the equipment)

2.       Make wine at a custom crush facility (Alternating Proprietor Type 2)

3.       Make wine on the side at the winery you probably work for (You probably have a nice employer)

A brief break during Harvest 2017 of dry-farmed Cabernet Sauvignon in Dry Creek Valley

Everyone has access to a concrete egg fermenter, right?

The debate about natural wine often misses the point of what’s practical in making, storing and maintaining the actual wine in a modern custom crush facility, (aka a facility you don’t own and make wine with as many as 40 other winemakers). As a winemaker with a Type 2 license I am an alternating proprietor at the custom crush facility and abide by the rules of the host facilities wine making protocols or suffer the consequences. For instance, I can't operate the forklift or bring in barrels that have tested for brettanomyces.

Here’s a quick list of 5 things you might want to know about custom crush facilities before you embark on your natural wine journey:

1.       Regularly testing of oak barrels for brettanomyces and volatile acidity by the cellar master. The Cellar Master may remove barrels with unacceptable levels or not allow used barrels you’ve purchased into the cellar. Consolidating your natural wines into a single facility for bottling and efficiency may be stopped at the door after laboratory testing because your existing bulk inventory may have unacceptable levels of VA or brett detected and are rejected by the cellar master. Unacceptable levels may be determined by the custom crush facility, not you. Remember, there may be other winemakers in the custom crush that don’t want any hint of brett in their wines.

2.       Does the cellar master use a combination steam/ozone/SO2 to clean their barrels and yours before filling them?  Standard protocols in many custom crush facilities require monthly monitoring of free sulfur levels in finished wines and regular sulfur (SO2) additions to finished wines in barrel. Topping schedules are completed monthly.

3.       Access to amphoras, concrete cone fermenters, large format exotic wooden casks or other non-standard fermenters. The facility may not have use or budget for less common fermentation vessels.  As the start-up winemaker, you may not have the budget to buy your own less common fermentation vessel, therefore, you will use standard plastic macro bins for small lots. If you buy your own fermentation vessel and use it at a custom crush facility, who holds liability for the proper care, use and potential damage to a concrete egg or clay amphora?

4.      Extended macerations on white wines take up tank space, add time and labor costs to production

5.       Gravity feeding wines without the use of a pumps takes more time, which means more labor and not all facilities are built for “100% gravity fed” wines.

Just some food for thought for those considering the natural wine route.

New Releases and Sold Out Wines

A few updates after a busy fourth quarter:

Sold OUT
2015 Sangiovese, Sonoma County
2015 Sangiovese Vecchio
2015 Cabernet Sauvignon DCV

Allocated (Contact me Directly)
2014 Signature, Cabernet Sauvignon, Dry Creek Valley
2014 1TL, Cabernet Sauvignon, Mill Creek Road

New Release
2014 Cabernet Franc, Sonoma County
2016 Sangiovese, Sonoma County
2016 Cabernet Sauvignon DCV
2016 Zinfandel, Sonoma County
2015 Pinot Noir, Sonoma County

Expected Release
2017 Rose of Sangiovese, February 14, 2018
2017 The Hunter, White Wine, February 14, 2018
2016 Sangiovese Vecchio, June 2018

Happy New Year! Here's to a great 2018!

The Road to Expensive Non-Vintage Red Wine: Thanks Penfolds!

I’d like to take this opportunity on behalf of all winemakers to thank Penfolds for making a non-vintage red wine and charging $3000 a bottle for it.

Winemakers around the world have been greatly anticipating charging $3000 a bottle for non-vintage red wine.

An American example of non-vintage wine, the Mastro Scheidt Jug! It only costs $39 and it's nearly 1.89L. You should buy some.

$39 or $3000?

Oh wait…I have been doing it for years. It's called The Jug (yep, that's the label above. It's good wine. Really good). I've been combining vintages to make a consistent blend for over 5 years now, but not charging $3000 for the bottle. Stupid me. I charge $39.

When winemakers combine vintages like they have at Penfolds, it becomes a non-vintage wine, generally regarded as inferior by critics for still red wines. Unlike port and champagne, which are regularly blended across multiple vintages and considered a mark of quality, blending red wines across vintages has long been considered the practice of corporate wineries using 1 gallon and up packaging.

Super Blend or Just Red Wine?

Penfolds of Australia produces the world famous Grange by blending Shiraz (Syrah) with some Cabernet Sauvignon (in most years). A long heralded wine and deservingly so. With the G3, they’ve taken a long held philosophy of Aristotle, that the “sum is greater than the parts”, combining three vintages of Grange together in a single bottling, or as Penfolds called it, “a super-blend” and thus, charging more than any single bottling would cost.

From my own experience blending wines from multiple vintages, the “super-blend” of wines can be beneficial in a few ways. First, a young wine lacking depth and structure is given a boost from a wine that is older, as the older wine has had time to mature. Secondly, the older wine is ‘refreshed’ by the younger wine with more vibrant fruit and freshness. Thirdly, if the wines have been on new oak, the interactions between the wine, oak and time, depending upon the oak origin, can have a whole combination of various results on the finished wine that add a layer of complexity not otherwise derived from the wine itself.

A true test of greatness would be to try each individual vintage of Grange that comprise the G3 super-blend; 2008, 2012 and 2014 side-by-side with the G3. That tasting would cost just under $6000, if you can get your allocation of G3. I’d love to taste it.

I raise my glass to Penfolds and offer a toast to them for getting $3000 a bottle for a non-vintage Shiraz. May we all be so lucky.

Now go buy my Jug for $39!!!

Dirty Jobs, Wine Making and Sausage

I talk about the dirty job of making wine every season. Other than people in the wine industry, no one else sees all the stuff that gets cleaned every day with brushes, pressure washers, hot water, acidic and caustic liquids. All the public sees is a bottle with a cork in it and a really good looking winemaker (like me) pouring it.

Good looking winemaker...David Scheidt

Behind the scenes of the dirty job of wine making 2017.

After 5 tons of grapes are destemmed, this is what the machine looks like

The shaker table is a tool for sorting grapes. Look at all the debris around the table.

Every nook and cranny must be cleaned after grapes are processed

More debris and MOG, Material Other than Grapes

These jeans will never be blue again.

Compost and more compost of stems and bad berries

Green grape leaves are unwanted and are picked out in the vineyard and the crush pad

Someone has to get in these tanks to shovel out all the must for press loads

Sluggish fermentation? No problems. Adding some still active lees will help finish things off

The natural wine of Lencioni Vineyard in Healdsburg

Lencioni Vineyard: Ever since my first vintage in 2007, I have used minimally farmed Lencioni Vineyard Cabernet Sauvignon in Dry Creek Valley. I’m going to use the term minimalist or natural to describe what Lencioni Vineyard is and it's typical of small farms in Sonoma County.

From a distance, Lencioni Vineyard looks like any other vineyard in Sonoma County. Rolling hillside. Beautiful view. The vineyard is laid out in clean rows, the Cabernet has a wire set up, the Zinfandel is head trained and there are remnants of the old drip irrigation system in place from 35 years ago. No water has flowed through those drip lines in 27 years.

Minimalist, Feral, Natural or Wild?

It’s the up-close and personal view, walking each row, inspecting each vine that changes your perspective from bucolic vineyard to individually wild vines.

Lencioni vineyard is ‘feral’ for lack of a better term, or perhaps ‘natural’ since that seems to be a term being used more widely in the wine business these days. The rows are difficult to walk, as thorny blackberry bushes are everywhere. Some vines are long gone, dead, forgotten. The occasional poison oak plant shows up from time to time, right next to a grape vine. The vineyard is in some places terraced and undulating and rarely ever flat due to the once, sometimes twice a year tractor work.

Two things happen in the vineyard each year, the rows get disced and the vine gets pruned. That’s it. Nothing else. No sulfur has been applied on these vines in over 10 years. No soil amendments, no cover crop (unless you count blackberry bushes) and most of all, no human applied water. Only Mother Nature provides water.

With this minimalist approach, in 10 years I’ve never seen mildew or rot. The birds don’t eat the grapes. I don’t see bugs or pests. No deer or wild pigs. And without a single drop of pesticide, fungicide or foliar spray, the vineyard survives.

The Wabi - Sabi of the Vineyard

I recently highlighted the struggles micro winemakers, like me, have with small farms, irregularity in harvests being one of them. In 2011, a wet and tempermental year in Dry Creek Valley, I had zero crop from Lencioni. In 2012, regarded as a great, near perfect vintage, I received over 6 tons of fruit from the Cabernet Sauvignon vineyard, the most I’ve ever received. Since the banner year crop of 2012, I’ve seen decreasing yields each year. In 2017 I’ll have harvested less than 1 ton of fruit from the Cabernet vineyard.

Working with the minimalist Lencioni Vineyard is indicative of what micro winemakers, like me, experience; high quality, pure expression of fruit with an unreliable yield and fickle vineyard management, near textbook example of the Japanese philosophy of wabi-sabi. It's strange to hear the words unreliable and fickle in the wine business; we're conditioned to hear perfect and dependable. Working with small farms is anything but perfect, but in that imperfection is beauty, the beauty of the fruit in the final wine.

What's Love Got to Do with It?

It took one full week of labor to pick 2 tons of fruit, Zinfandel and Cabernet Sauvignon in 2017.  We started picking September 1 for Zinfandel and September 5 for Cabernet. The vineyards are spread over 4.5 acres. It’s a pain to pick. It’s pure labor. Love has nothing to do with it. Paid crews don’t want to work it. The fruit is scarce, so hourly labor, not by-the-ton, is how crews got paid in the past. This year, I paid myself to pick it. Let’s hope that I can persuade someone to disc the vineyard a couple times in 2018 and get someone, other than my family, to pick Lencioni Cabernet and Zinfandel in 2018. Picking isn't easy, but like an old climbing buddy told me, "picking was easier than climbing the Eiger:" True.

The upside, after all this labor to pick such a vineyard? The fruit is delicious. The wine I make from Lencioni is intense, beautiful, colorful and full of character. I don’t need to do much of anything to it, as heartiness in the vineyard translates into heartiness on the crushpad and full-flavored wine in the bottle. The 2014 Signature is currently released and is 100% Lencioni Vineyard. The wine was completely on used barrels in 2015 and 2016 and will likely be released under my Signature label sometime in late 2018 and 2019 respectively. 

Micro Winemakers Under Threat

Jon Bonne’s book The New California Wine gave voice to many winemakers. He wrote more recently in PunchDrink, questioning what the future looks like for winemakers such as me.

You can’t make a living on 500 cases.

Winemakers who are adaptable, not doctrinaire have the greatest chance for success. The trouble is, if your hit eclectic varietal is limited in acreage or is planted in a distant part of the state, how does a New Californian style winemaker follow up their big local winemaking hit if their resources are limited to 2 tons or roughly 100 cases? Or even 500 cases? You can’t make a living on 500 cases.

The next generation of start-up winemakers will have to have a portfolio of adaptable skills, both boutique and industrial. Winemakers have to be well versed in wine style, interventionist and non-interventionist, what sells to distributors, direct to bottle shops, sommelier driven restaurants and in the tasting room. The approach is practical, not dogmatic and not out of step with some of the winemakers in New California. Defining the terms natural and industrial seems to be the hottest topic in wine making these days, when only 5 years ago wine making was all about balance, as in pursuit of. How will natural be re-defined in 5 more years? How will the broad California appellation evolve?

Cabernet in Sonoma Vs. Barbera in Mendo

We as winemakers have to be both aggressive and flexible in simply finding fruit. I can find Cabernet in Sonoma County pretty easily if I can afford it. But I can’t find Sangiovese and Barbera, at least not at the price I’d like. I could go to the Foothills, but good luck if they deliver in 2 ton lots to Cloverdale. I could go to Lake or Mendocino County for a couple tons, but I’ll have to pick it up and prices aren’t $500/ton any more for small lots. Try closer to $1500/ton and many growers won’t sell 2 tons lots.

A wine sold at $25/bottle full retail is not a sustainable model for a stand-alone winery if the fruit alone sells for $2500/ton, not including crush fees. $2500 per ton and higher is not uncommon for many varietals in Sonoma County, my backyard. Winemaking can work as a side-hobby, but not as a self-sustaining business with a 500 case production, so don’t quit your day job.

Sure, there are pockets of small vineyards in Dry Creek and Alexander Valley looking to sell to “home winemakers”, but fruit quality and consistency can be painfully erratic. I know; I purchase from small farms every season. As winemaker, I have to be part time vineyard manager and viticulturist.

Mechanization

Lodi is already dealing with lower yields on old-vine Zinfandel and increases in labor and facility costs. Much of that planted acreage will sell to the highest bidder or simply be torn out and replaced with younger, more vigorous varietals and planted for mechanized harvesting. Recent articles show the increasing economic concerns of growers dealing with decreasing yields and increasing labor or skills costs. Mechanization is here and is growing.

There was (past tense) a wave of New Californian winemaker using forgotten varietals at cheap prices. Now, everyone is using them (again). Unfortunately, those varietals are more expensive as demand has increased, or simply, those vines have been ripped out in favor of more vigorous and popular varietals that demand higher prices.

Small vineyards with eclectic varietals lack scale. Custom crush fees have increased from the time The New California Wine book was written. Today, with more elaborate “cooperative” spaces that require higher fees for smaller lots and minimum sizes of 10 or 20 tons crushed, not a grand total of 5 tons for a micro winery. Increases in varietal price and crush fees have squeezed margins on the entire boutique winemaking industry. Prices for Cabernet and Sangiovese are going up, not down, in premium wine growing regions.

As a winemaker, I make natural wine from a less popular varietal, Sangiovese. I also make a full-flavored Cabernet Sauvignon with plenty of new oak. I exist in four worlds, the natural and the industrial, the non-interventionist and interventionist. I even have a winemaking manifesto ascribing to a particular belief, Make Great Wine from Great Grapes! I’m a winemaker, playing the hand dealt to me by each season’s harvest and always thinking about the future.

I AM the New California winemaker and proud of it.

Fires in Wine Country

Last week has been devastating for many in Sonoma, Napa, Lake and Mendocino counties. The fires are ongoing and are in various stages of containment. This is a fluid situation and work is being done around the clock by brave fire crews and first responders to control the fires. This was a picture of the Pocket Fire with air support dropping fire retardant, taken October 12, not far from Mastro Scheidt Family Cellars crushpad location just north of Geyserville, in Alexander Valley.

Photo courtesy of local resident and friend, Jessica Brazil.

Here's a link for daily updates on the wine country fires 

A growing number of friends and colleagues have had their property destroyed by fire. I mourn their loss. Many of you have asked how you can help victims of the fire. Please support your charity of choice. There will be many months of rebuilding and your support is critical to those efforts today.

Mastro Scheidt Family Cellars has been extremely lucky in that the winery facility located just north of Geyserville and to the west, is undamaged and currently out of danger. No vineyards that I purchase from have been affected by fire. Our cased goods facility located near the Santa Rosa Airport, is currently unaffected. Additionally, the entirety of the 2017 harvest was either in barrel or in tank as the fires started. There is no risk of “smoke taint” from Mastro Scheidt wines from the 2017 harvest. I am thankful for each and every one of you who have emailed, texted, called, and messaged me personally to ask about my safety.

The wine country is a strong community and will be rebuilt. #sonomacountystrong

David Scheidt | Owner and Winemaker

New Vintage, New Closure

Like many wine makers and wine drinkers, the belief that “cork is best” for all wines is a conceit. As I’ve grown in both experience and case production over the last ten years, natural cork is not the only wine closure in the marketplace.

I made the jump to screw caps several years ago upon the introduction of my Jug program. No one seemed to mind that I used a screw cap for a growler of wine. In fact, the screw cap fit the image of the wine and the growler package.

The next use of screw caps were for more traditionally bottled wines, the classic Bordeaux styled 750ml bottle that has had wide success in restaurants, delis, and grocery stores. The wines are typically served by-the-glass and easy to open and close in restaurant settings or purchased for nightly home consumption with a wide array of foods. I’ve increased production in the screw cap category, so I don’t see that screw caps have been perceived negatively by consumers.

Natural cork and the Diam technical cork

The most recent evolution in packaging is the technical cork. Nearly 100% natural cork, the closure is guaranteed to be free of “cork taint”; whereas traditional cork cannot make the same claim. Secondly, technical corks have been engineered to allow oxygen through the closure over time, similar to traditional cork, which allows for micro-oxidation of the wine, a beneficial characteristic for age worthy wines like Cabernet Sauvignon. Thirdly, you pull the technical cork with the same traditional corkscrew; no special equipment needed.

What crystalized my decision to move to technical corks was an experience I had with a restaurant customer of mine.  I was pouring a flight of wines for spring and summer at a restaurant in Fresno. When the owner and I got to the second wine, we both knew instantly the wine was corked. Not good. I’m embarrassed and the wine, even if he wanted to pour it in the restaurant, couldn’t be evaluated properly and therefore wasn’t chosen as a finalist.

As I’m looking to innovate where I can, I made a partial transition to technical corks with some of my 2015 wines. The main reason for me transitioning to technical corks was zero cork taint. Imagine buying one of my wines for $50 only to open the bottle and find the smell of wet cardboard. Disappointing. With technical cork, having a wine damaged by cork taint is not a possibility. With my 2016 vintage, I should be 100% screw cap and technical taint free cork.

It was a big decision to move away from traditional cork. I like the history, tradition and nostalgia of traditional cork. But from a customer viewpoint, the remote possibility of having a flawed bottle of wine because of cork taint in the 21st century isn’t nostalgic, it’s unacceptable.

Look for the new corks in my 2015 RWSC label, Superstrada 2015, and Cabernet Franc 2015.

Harvest 2017, Mid Season Report

Every indication, leading up to harvest in 2017, showed a gradual ripening schedule, perhaps 7-10 days behind 2016. Fruit quality looked good, with some vineyard concerns of powdery mildew. Canopy growth was vigorous, fruit set was good. Yields in some vineyards were lower than expected, but healthy vines from all the rainfall.

Personally, I’m happy to have high quality, low yield, if there has to be some trade-off.

Lencioni Vineyard Dry Farmed Cabernet Sauvignon

The gradual and stable weather gave way to hot temperatures beginning the end of August and came in a couple waves. 100+degrees in Healdsburg on 8/26, 27, 28 with an overnight low on the 28th at 56 (which helps); as Dry Creek Valley behaves differently than Alexander Valley, the fog lingered a little longer in Dry Creek Valley.

Then the real heat came and the morning fog disappeared.

August 31 through September 2 saw 110 degree temps in Dry Creek Valley with the crushpad up in Alexander Valley at 119. Overnight lows were in the high 60's. We “cooled” down  to 104 on Sept 3 and 90 degrees on Sept 4 with a bit of humidity and a thick haze throughout Alexander and Dry Creek Valley.

So what did all this wild weather mean to Mastro Scheidt Cellars?

All hands on deck at Mastro Scheidt...it was 110 degrees that day

It meant all hands on deck to pull my dry farmed feral Lencioni vineyard grapes off as soon as possible! 100% hand picked and sorted means you don’t take raisins. Hand-picked also means you start early and finish early because it’s hot, real hot and you don’t want the fruit fermenting in the vineyard if you can help it. 

And then, strangely enough, on 9/7 there was precipitation early morning and up through 11am. Not a light rain, but real rain. On 9/13 the rain came again and dumped pretty good in the morning and the sun never came out, maybe a high of 70 at the crushpad.

Cabernet and TL can handle the rain. They're both tough

There are still a few things to bring in before the season is complete and the steady weather pattern is back in effect. But who knows, the sooner I'm off the vine the better.

December Feasting

Fresh sea urchin in Santa Barbara, right off the boat. Whole roasted, bone in rib-eye cooked by yours truly only to be followed up by braising the bones and pulling the meat for Bolognese the following night. Lobster tails on Christmas Eve. Hand-made pasta at Cousin Vince's house paired with one of the first wines I ever made, a 2007 Dry Creek Cabernet Sauvignon. Freshly made cannoli by Mom.

I lost track of how many times I had rib-eye over the month of December. House to house, night to night, city by city it seemed rib-eye was being served. The only break in the rib-eye action was on Christmas Day when Cousin Jeff brought over some antelope (outstanding) and wild duck breasts from three different types of ducks, canvasback being one of them. Delicious (please ignore the unceremonious plating job). Wild ducks are not what most people are used to being served in restaurants, there isn't much fat on these, but the breast meat has a depth of flavor that rivals almost any beef. Cabernet is still too harsh for duck, but Pinot shines with duck, and I've always got some Pinot on hand.

From the Cellar a 2007 Dry Creek Valley Cabernet Sauvignon

It was a fantastic December of family, friends, food and drink. A great way to end 2016.

The Jug from 1976 to 2016

A jug of wine is nothing new in my family. Below is a photo from 1976, summer vacation in Aptos, CA. My Dad in the foreground, my Grandma and my brother John in the back; I'm there on the right in the yellow shirt. And in the middle of it all, a big 3 liter jug of red wine with a screw cap. No fancy wine glass, just something to drink with the meal. Let's face it, those old jugs weren't the best red wine in the world or California. They were drinkable.

Fast forward to 2016, I've improved the quality of wine I put in my half-gallon growler. The Mastro Scheidt Jug Red Wine is purposely made, not an afterthought or with 'left-overs'. I blend several varietals from Sonoma County to craft an easily drinkable red wine for the entire table. It is bottled unfined, unfiltered, and without additional sulphites. The Jug is 64 oz or 1.89L of wine, nearly 3 normal size bottles.

Give the Jug a try. Find it online or at your local retailer in Fresno and Bakersfield. Sorry, no out-of-California sales.

---

My Mastrogiacomo Rosso is a Sonoma County product, filled with top quality, hand-picked fruit. 

Signature 2013 Sold Out

Another vintage, another sell-out. Signature 2013 was a pure Cabernet Sauvignon from Dry Creek Valley. It was rated 90 Points on release earlier in 2016 and was sold out by October. 

Thanks to everyone who picked up this wine on release and throughout the Summer of 2016. Many thanks! Until the next release.

Pasta Party (with wine)

Gnocchi and Linguine were on the menu Saturday night. Fresh, hand-made and demonstrated by the bald guy in the center picture (me).

The gnocchi were sauced two different ways:

Gnocchi #1 - browned butter with sage and black pepper
Gnocchi #2 - crispy pancetta with basil and garlic topped with fresh Parmigiano Reggiano

The Linguine was sauced with a Bolognese of lamb, beef and pork.

Wines poured that evening:

2014 Mastro Scheidt Sangiovese
2013 Mastro Scheidt Bordeaux Blend
2013 Denner Syrah
2012 Mastro Scheidt Superstrada
La Marca Prosecco

Most of the photos are courtesy of our hosts, John and Falina Marihart. Thanks for letting everyone get flour on your floor!

David rolls out the pasta dough with friend Trisha

The Maestro...

Baked potato for gnocchi

Farm eggs and the Pasta well

Gnocchi in the pan with butter and sage

Gnocchi version 1.0

Gnocchi version 2.0

Freshly made potato gnocchi

Linguine Bolognese

The Grapes of Harvest

Sample. Taste. Repeat.

It's all about the grapes. Cabernet Sauvignon, Petit Sirah, Syrah, Merlot, Barbera, Cabernet Franc, Zinfandel, Sangiovese, Sauvignon Blanc, Semillon, Muscat Blanc was harvested by Mastro Scheidt in 2016.

No two seasons are the same and no two varietals are the same. My wines change with the seasons. Winemaking is not an exact science, it's subject to undiversifiable risk, known as Mother Nature.  I'm showing the beautiful pics, the highlight reel. There's a lot, behind the scenes, the day in, day out unromantic reality of what I do with these grapes. There are a lot of steps to get raw grapes from the field to the bottle.

Enjoy the beauty of harvest.

Overseeing the Pick

One of the earliest vineyards we picked was Sangiovese

A classic pick and Zinfandel

My family hand picked a vineyard of Syrah and Zinfandel

A full bin of Sangiovese

A view of the Russian River Valley vineyard from behind the bin

Row 12 of Dry Creek Merlot

One of the most well maintained vineyards in the Valley

Hand picked Merlot

Hand picked and Hand sorted

In full color

Great looking Merlot from Dry Creek Valley

A plump cluster

Sample, Sample, Sample

You gotta get in the vineyard and take your samples

It's all about the juice

Rose of Sangiovese

More hand picking

Early morning grapes

Night picked Cabernet Sauvignon

Hillside Cabernet came in to the crushpad at 6am

Dry farming...for 30 years

Dry farmed Cabernet Sauvignon in Dry Creek Valley. It's not easy, but the results are excellent

The Dirty Job of Wine Making

I may scare a few of you with this post.

Making wine and making sausage have something in common. They are both dirty. This post is about the realities of winemaking in pictures. If you want to continue to believe that being a winemaker is glamorous, a dream job, where all grapes are picked "at peak ripeness to achieve a perfect wine on the perfect day", this post will likely be a shock to you.

For disclosure purposes, all the pictures are mine, but all the processing in the pictures is not. I make wine at a facility with a wide variety of winemakers and styles. Each wine maker has responsibility for their own wine. This blog is a daily journal of my experiences in wine making..

Making wine isn't easy work. It comes with power outages, broken equipment, people who don't show up, late nights, early mornings, wine stained hands, a filthy car, tired feet, and plenty of uncertainty; a.k.a it's a job.

Wasting grapes

Not all the grapes make it and this is just one of the times they get washed down the drain.

High proof alcohol cleans things

Use this to spray on all manner of equipment or as a mouth wash

My hands will be stained

Grape must will stain everything it comes in contact with.

The hot pressure washer is your friend

After the press, lees and seeds

More wasted grapes, but it's ok. There are a lot of seeds in this must.

Delivery...not on time

It's amazing that things get to me at all when my name is spelled wrong

Leaky barrels

Don't panic, it's just water.

Hard pressing moon rocks

Some wineries like to press their grapes really hard, this is the result. Moon rocks.

Gravel pile of hard press

When this hit the floor it sounding like pea gravel. Dried up press grapes after a winery presses really hard for extra juice.

Nowhere is safe from grapes

Grapes are found everywhere. Your car, home, lab, and on any flat space. Cleaning is essential.

Punch Down Workout

While performing a punch down of the fermenting cap, it's highly likely that you will splash some juice. Your clothes will stain.

I hate fruit flies

The farther away this waste is from the crush pad, the better. It's fruit fly bait.

I don't do whole cluster fermentation

This pile of stems shoots out the back of the destemmer (hence the name)

And now for the video. Sediment and lees are a fact of wine making. Period. They reside in all wines. What the end user sees in the bottle is the result of a long process to get a cloudy, sediment filled substance to market without flaws and wonderfully clear in the glass . To reiterate, this is not my wine. merely an example of cleaning after a barrel fermentation. 

Harvest Weekend with the Family

"Each man delights in the work that suits him best"

Homer, The Odyssey

The 2016 Harvest marks the first time the entire family came out to pick some grapes and see the process, from start to finish. Three generations of family were on site to see what the harvest is all about.

John hauling Zinfandel

Watching the grapes destemmed

TL and The Judy

Preparing to Pick

Watching

On the crushpad

TL, same picture, different year

Coordinating the picking

In the cellar

Just watching the process

Cuginos in Dry Creek Valley

A stylish grape harvest

A big haul

Sharing some grapes

She found some fruit

Testing the grapes

Last minute instruction

Coordinating the grape dumps

Another big haul of grapes

In the vineyard

Having some fun

I picked these grapes!

All together in the cellar

Rose' of Sangiovese

New project announcement!

I've made some Rose'!

Warning...I use two more French Words in this Post!

No, I didn't make the wine in this Plastic Bucket.

I took some of my Sangiovese crop and bled off some juice just after it was picked. For those that like to read French words, Saignée or bleed in French is the technique and the word used to describe the process. The secondary benefit of this saignee process is the main body of the red Sangiovese concentrates flavors in the finished wine.

The Rose' has been fermented in neutral Sangiovese oak barrels, stirred in barrel using another French word, Bâtonnage, racked off clean and placed back in barrel to settle until bottling.

I've had visitors taste the unfined and unfiltered Rose' during the entire process. The nose is of strawberry and pink grapefruit but still has a little time to develop in barrel before the final product is released.

Harvest 2016 is Just Getting Started

HARVEST 2016

After a brief period of cool weather in late August, the Sonoma County wine grape harvest has started for Mastro Scheidt Family Cellars.

The white grapes, Sauvignon Blanc, Muscadelle, and Semillon are 100% in, while the Sangiovese, Zinfandel, Syrah, Pinot, Merlot and dry-farmed Cabernet are all coming in within the next 7 - 10 days. Conditions are very good and the weather is stable, all good news. The vineyard and Mother Nature did their work well.

If you are a follower or would like to follow on Instagram or Facebook, I'm posting behind-the-scenes videos and pictures of the harvest. Everything from broken down trucks to tasting press wine, it's not always glamorous, but it is real.

SAVE THE DATES

Save the Dates for November 4 and 5 if you are one of my Fresno / Central Valley customers. Those are the dates for our Harvest and New Release Party. I will send you an invitation as we get closer to the dates. The Bulldog football game is away that weekend.

David Scheidt
Proprietor / Winemaker